[1]Life dates, identity, names, and disputed birthplaceGui Maoyi lived from 1762 to 1832 and was a woman poet of the Qing dynasty. Her courtesy name was Peishan, her sobriquet is rendered Yushannvshi, and her birthplace is given as Changshu in Jiangsu with Shanghai as an alternative.
CBDBGui Maoyi (54821)The main record supplies the English name, the years 1762 and 1832, the Qing dynasty and female designation, together with the courtesy name and sobriquet in Chinese and romanized form.
Souyun歸懋儀 (62592)The profile and three biographies identify her as a Qing woman from Changshu, give her two names, and include the alternative attribution to Shanghai.
WikidataGui Maoyi (Q45704843)The item supplies the English label, both romanized aliases, the female-sex statement, and the 1762 and 1832 time values, while describing her as a Qing-dynasty person.
[2]Family and marriageGui Maoyi was the daughter of the circuit intendant Gui Chaoxu and Li Xinjing, and the wife of Li Xuehuang. Li Xuehuang’s status is given in two forms, jiansheng and zhusheng.
CBDBGui Maoyi (54821)The kinship entries identify Gui Chaoxu as her father, Li Xinjing as her mother, and Li Xuehuang as her husband.
Souyun歸懋儀 (62592)The biographies identify her father and husband, describe the father as a circuit intendant, and give the husband’s status as either jiansheng or zhusheng.
WikidataGui Maoyi (Q45704843)The item contains statements linking her to a father, a mother, and a spouse.
[3]Poetry, painting, teaching, and later lifeGui Maoyi was accomplished in poetry, ci lyric, and painting, exchanged verse with Xi Peilan, and became known in the arts. She traveled through Jiangsu and Zhejiang as a tutor in women’s schools and settled in Shanghai in later life.
Souyun歸懋儀 (62592)The biographies describe her poetry, ci lyric, painting, friendship and verse exchanges with Xi Peilan, reputation in the arts, work as a tutor in women’s schools in Jiangsu and Zhejiang, and later residence in Shanghai.
[4]Named worksThe named works include 《繡餘吟》, 《聽雪詞》, and 《繡餘小草》; 《聽雪詞》 and 《繡餘小草》 are each given as one juan.
CBDBGui Maoyi (54821)The bibliography names 《聽雪詞》 as one juan and 《繡餘小草》 as one juan.
Souyun歸懋儀 (62592)The three biographies name 《繡餘吟》, 《聽雪詞》, and 《繡餘小草》, with a traditional-versus-simplified character variation in one entry.
[5]Additional bibliography titlesThe associated bibliography contains the additional titles and volume counts stated in the paragraph. The underlying role field for these entries is unspecified, so the paragraph lists them as titles without asserting that all were Gui Maoyi’s standalone works.
CBDBGui Maoyi (54821)The bibliography lists 《繡餘續草》 in five juan, 《國朝閨閣詩鈔》 in one hundred kinds and one hundred juan, 《小檀欒室彙刻閨秀詞》 in ten series, one hundred kinds and one hundred juan, and the other titles and counts given.
[6]Preface and postscript exchangesGui Maoyi wrote prefaces for works by Zhang Yuzhen, Hu Xiangduan, and Lu Hui. Tao Shu, Chen Luan, Wei Wenying, Ge Zai, and Duan Xiang wrote prefaces for her books, while Zhu Yidun wrote a postscript for them.
CBDBGui Maoyi (54821)The association entries show that she wrote prefaces for works by Zhang Yuzhen, Hu Xiangduan, and Lu Hui, while Tao Shu, Chen Luan, Wei Wenying, Ge Zai, and Duan Xiang wrote prefaces and Zhu Yidun wrote a postscript.
CBDB
Souyun歸懋儀 (62592)The profile and three biographies identify her as a Qing woman from Changshu, give her two names, and include the alternative attribution to Shanghai.
WikidataGui Maoyi (Q45704843)The item supplies the English label, both romanized aliases, the female-sex statement, and the 1762 and 1832 time values, while describing her as a Qing-dynasty person.