Zhao Mengfu

出自全球本体聚合平台

公开 可引用 更新于 2026-09-13

Life

Zhao Mengfu belonged to the Song imperial lineage and descended from Prince De of Qin; his fifth-generation ancestor, Prince Xiu, was the father of Emperor Xiaozong. After the family was granted a residence in Huzhou, he was regarded as a native of Huzhou.[4] Precociously intelligent, he could compose prose at a stroke; at fourteen, he entered office through his father's hereditary privilege, initially serving as Zhenzhou Sihu Canjun.[5]

After the fall of the Song, he lived at home and devoted himself more deeply to learning. The censor Cheng Jufu was ordered to seek out unrecognized talents and brought him to court; the Shizu Emperor, impressed by his radiant bearing, wished to employ him extensively, but after opposition from other advisers appointed him Vice Director in the Ministry of War and then promoted him to Academician of the Jixian Hall.[6]

He later served as Associate Administrator of the Jinan Regional General Administration, Educational Intendant for Jiangnan, and, among other posts, Compiler in the Hanlin National History Academy, Hanlin Attendant Lecturer, and Attendant Lecturer of the Jixian Hall; in the third year of Zhida (1310) he held the post of Hanlin Attendant Lecturer, and during the Yanyou era he rose repeatedly to become Hanlin Academician Expositor before securing permission to return home.[7] His career spanned the reigns of Shizu, Chengzong, Wuzong, and Renzong. When Shizu wished to involve him in central-government deliberations, Mengfu firmly declined; in audiences he regularly discussed the principles of government and contributed substantially to policy.[8] He died early in the Zhizhi era at the age of sixty-nine.[9]

Family and associations

His father was Zhao Yuyin; his elder brother was Zhao Mengpan, while his younger brother is named as Zhao Mengyu (趙孟籲) and also as Zhao Mengyu (趙孟吁). His wife was Guan Daosheng, and his son-in-law was Fei Xiong.[10]

His agnatic nephews were Zhao Youjun and Zhao Mingzhong, and his agnatic grandnephew was Zhao Su; his second son was Zhao Yong and his third son Zhao Yi, both known for calligraphy and painting.[11] His friends included Wu Cheng, Zhou Mi, and Yuan Jue.[12]

Artistic achievements

Zhao Mengfu's poetry and prose were characterized as profound and extraordinary. His calligraphy encompassed seal, clerical, running, and cursive scripts and formed a distinctive style of its own; in painting he excelled at landscapes, bamboo and rocks, figures, horses and riders, and birds and flowers. His painting was ranked among the highest, "divine" works, his reputation as a painter was especially prominent, and he helped inaugurate the painting style of the Yuan.[13]

His writings were sought from across the realm, and wherever he went carriages and horses filled the roads. Dai Shuaichu described his ancient poems as steeped in the manner of Bao and Xie, while placing his other works between Gao Shi and Li Ao; when Renzong discussed literary figures with his attendants, he compared Mengfu with Li Bai of the Tang and Su Shi of the Song.[14] At the height of the Yuan, Yu, Zhao, Yang, Fan, and Jie were named together.[15]

Yu Boshen once brought Mengfu a poem containing the couplet “山連閣道晨留輦,野散周廬夜屬櫜”. Mengfu suggested changing “mountains” to “sky” and “fields” to “stars”, and Yu Boshen was convinced.[16]

Works

His works include the Songxue Studio Collection, also found under the title Songxue Studio Literary Collection. His ci lyrics were included in the collection, and he also wrote twelve lyrics titled 《巫山一段云》, each devoted to one of the twelve peaks of Mount Wu.[17]

Later reception

As a Song prince who served the Yuan and rose to high office, Zhao Mengfu was regarded with shame by his cousin Zigu, who shut his door and refused to see him. After his death, the Song recluse Zixu wrote an elegy on a scroll of his poems.[18]

TimelineCBDB

  1. 1310 翰林國史院翰林侍講學士 至大

Office recordsCBDB

OfficeFromToEraPosting
翰林國史院翰林侍講學士1310至大
Year unknown16
OfficeEraPosting
兵部郎中Era unknownUnknown
司戶參軍咸淳真州
國公Era unknown魏國
國公Era unknownUnknown
國公Era unknownUnknown
尚書省兵部兵部司郎中Era unknownUnknown
州儒學提舉Era unknown江南
翰林國史院國史編修官Era unknownUnknown
翰林國史院學士承旨Era unknownUnknown
翰林學士承旨Era unknownUnknown
路同知Era unknown濟南路
集賢侍講Era unknownUnknown
集賢直學士Era unknownUnknown
集賢直學士Era unknownUnknown
集賢直學士Era unknown江浙行中書省
魏國公至治Unknown

FamilyCBDB

RelationNameLife
父趙與訔1213–1265
兄趙孟頖1251–1305
弟趙孟籲–
弟趙孟吁–
妻子管道昇1262–1319
從子;姪子趙由儁–
從子;姪子趙明仲–
女婿費雄–
次子趙雍1290–1359
三子趙奕–
姪孫;從孫趙肅–

AliasesCBDB

  • 三寶弟子 室名、別號
  • 在家道人 室名、別號
  • 天水松雪翁 室名、別號
  • 天水王孫 室名、別號
  • 太上弟子 室名、別號
  • 子昂 字
  • 敢死軍醫人 室名、別號
  • 文敏 諡號
  • 昂翁 室名、別號
  • 松雪道人 室名、別號
  • 松雪齋 室名、別號
  • 水晶宮道人 室名、別號
  • 水精宫道人 室名、別號
  • 甲寅人 室名、別號
  • 趙吳興 室名、別號
  • 趙學士 室名、別號
  • 趙承旨 室名、別號
  • 趙松雪 室名、別號
  • 趙榮祿 室名、別號
  • 趙王孫 室名、別號
  • 趙集賢 室名、別號
  • 趙魏國 室名、別號
  • 趙鷗波 室名、別號
  • 鷗波 室名、別號

StatusCBDB

  • [為官者:文]

AssociationsCBDB

PersonRelationYears
吳澄友–
周密友–
袁桷友–
虞集友–
鄧文原友–
劉敏中友–
戴表元友–
柯九思友–
楊載友–
宋無友–
胡長孺友–
趙世延友–
王惲友–
閻復友–
元明善友–
鮮于樞友–
郭畀友–
李衎友–
姚燧友–
劉致友–
王芝友–
王振鵬友–
吳森友–
吳福孫友–
姚式友–
姜彧友–
郝天挺友–
商琦友–
陳康祖友–
喬簣成友–
廉希貢友–
趙受益友–
鄭洪友–
霍肅友–
宋渤友–
康里回回友–
康里山夒山夒友–
張复享友–
曹和甫友–
楊叔和友–
王泰來友–
程天錫友–
薩天錫友–
謝天錫友–
靳德友–
韓定叟友–
馬昫友–
朱德潤推薦1313–
程钜夫被程钜夫推薦–
祝允明被祝允明欣賞/器重–
胡氏欣賞/器重–
敖繼公為敖繼公之學生–
柳貫學生為柳貫–
許晉孫學生為許晉孫–
黃公望學生為黃公望–
陳范學生為陳范–
黃石翁為黃石翁所著書作序1313–
宋無為宋無所著書作序–
釋英為釋英所著書作序1313–
孔文昇為孔文昇所著書作序–
王方叔為王方叔所著書作序–
吳壽民為吳壽民所著書作序–
郝天挺為郝天挺所著書作序–
馬薛超吾為馬薛超吾所著書作序–
葉留為葉留所著書作序–
玉阿魯丁為玉阿魯丁所著書作序–
戴表元書序由戴表元所作–
戴表元書序由戴表元所作–
何貞立書序由何貞立所作–
趙孟頖為趙孟頖作墓誌銘–
王泰來為王泰來作墓誌銘–
任士林為任士林作墓誌銘–
周惠恭為周惠恭作墓誌銘1313–
田衍為田衍作墓誌銘–
吳森為吳森作墓誌銘–
李倜為李倜作墓誌銘–
姜彧為姜彧作墓誌銘–
靳德進為靳德進作墓誌銘–
管道昇為管道昇作墓誌銘–
濮鑑為濮鑑作墓誌銘–
謝天賜為謝天賜作墓誌銘–
謝斗元為謝斗元作墓誌銘–
虞集書跋由虞集所作–
戴表元書跋由戴表元所作–
戴表元書跋由戴表元所作–
李士行從遊者為李士行1313–
周密相唱和–
戴表元相唱和–
朱德潤相唱和–
邵亨貞相唱和–
葉李相唱和–
王芝相唱和–
李孟相唱和–
李齊賢相唱和–
周馳相唱和–
張復亨相唱和–
袁桷祭文由袁桷所作–
龔開為龔開之書、畫作跋–
鮮于樞為鮮于樞之書、畫作跋–
吳全節為吳全節之書、畫作跋–

Showing the first 100 of 237 records; the interactive page loads the full list.

ExaminationsCBDB

RecordRank
徵辟
薦舉 (保任,保舉)
恩蔭、蔭補(籠統)

WorksCBDB

TitleRoleYearEra
松雪齋集

Citations

  1. [1] Identity and dates Zhao Mengfu lived from 1254 to 1322 and was a Yuan painter, writer, calligrapher, and officeholder.
    • CBDBZhao Mengfu (17690)The basic record gives his English and Chinese names, life dates, Yuan affiliation, and official posts that establish his status as an officeholder.
    • Souyun趙孟頫 (40303)The profile and biographical passages give his dates and Yuan identity, while describing his painting, calligraphy, poetry, prose, and official career.
    • Wikidata趙孟頫 (Q197461)The entity label identifies Zhao Mengfu, and the English and Chinese descriptions identify him as a Chinese painter and a noted painter and calligrapher of the late Song and early Yuan.
  2. [2] Names and ancestral place His style name was Zi'ang and his sobriquet Songxue daoren; Huzhou is the principal place associated with him, while Wuxing and Wucheng are also supplied as ancestral-place designations.
    • CBDBZhao Mengfu (17690)The alternate-name fields identify Zi'ang as a style name and Songxue daoren as a sobriquet; the address fields give Wucheng, Wuxing, and Huzhou.
    • Souyun趙孟頫 (40303)The profile and biography give the names Zi'ang and Songxue daoren and identify Huzhou as his hometown.
    • Wikidata趙孟頫 (Q197461)The name list independently supplies Zi'ang and Songxue daoren as aliases.
  3. [3] Imperial descent and posthumous honors Zhao Mengfu was a descendant of the Song imperial house, received the posthumous name Wenmin, and was posthumously enfeoffed as Duke of Wei.
    • Souyun趙孟頫 (40303)The biographies identify him as a member or descendant of the Song imperial house and give the posthumous name Wenmin and the posthumous title Duke of Wei; the profile repeats the latter names.
    • CBDBZhao Mengfu (17690)The alternate-name fields classify Wenmin as a posthumous name, and the office fields list Duke of Wei.
    • Wikidata趙孟頫 (Q197461)The name list also contains Wenmin.
  4. [4] Lineage and early life He descended from Prince De of Qin; his fifth-generation ancestor Prince Xiu was the father of Emperor Xiaozong, and a granted residence in Huzhou accounts for the Huzhou association.
    • Souyun趙孟頫 (40303)The biography traces him to Prince De of Qin and Prince Xiu, identifies Prince Xiu as the father of Xiaozong, and explains the connection with Huzhou through the granted residence.
  5. [5] Early appointment He was precociously intelligent, entered office at fourteen through his father's hereditary privilege, and first served as Zhenzhou Sihu Canjun.
    • Souyun趙孟頫 (40303)The biographies describe his early intelligence and rapid composition, and state that he entered office at fourteen through his father's protection and held the Zhenzhou Sihu Canjun post.
    • CBDBZhao Mengfu (17690)The entry classifications include hereditary protection and the office record identifies Sihu Canjun at Zhenzhou.
  6. [6] Recall and first Yuan offices After the Song fell he studied at home, was brought to court by Cheng Jufu's search for unrecognized talents, attracted Shizu's attention, and received the offices of Vice Director in the Ministry of War and Academician of the Jixian Hall.
    • Souyun趙孟頫 (40303)The biography gives the sequence from post-Song study at home through Cheng Jufu's summons, Shizu's favorable response, opposition from advisers, and the two appointments.
    • CBDBZhao Mengfu (17690)The office list independently contains the posts of Bingbu langzhong and Jixian zhixueshi.
  7. [7] Later official career He held posts in the Jinan regional administration, Jiangnan educational administration, the Hanlin National History Academy, and the Jixian Hall; he served as Hanlin Attendant Lecturer in 1310 and rose during Yanyou to Hanlin Academician Expositor before returning home.
    • Souyun趙孟頫 (40303)The biography supplies the Jinan and Jiangnan appointments, the Yanyou promotion, and the return home; the profile adds the titles of Zhongshu sherent, Tongzhi, Ruxue tiju, and Hanlin xueshi chengzhi.
    • CBDBZhao Mengfu (17690)The office list records Educational Intendant, Compiler, Associate Administrator, Hanlin Attendant Lecturer, Jixian Attendant Lecturer, and Hanlin Academician Expositor, and dates the Hanlin Attendant Lecturer appointment to Zhida year three, 1310.
  8. [8] Four reigns and policy discussions His service extended across the reigns of Shizu, Chengzong, Wuzong, and Renzong; he declined involvement in central deliberations but used audiences to discuss government and benefit policy.
    • Souyun趙孟頫 (40303)The biographies together identify the four reigns and describe his refusal to participate in central government deliberations, his discussions of government, and their benefit to policy.
  9. [9] Death He died early in the Zhizhi era at the age of sixty-nine.
    • Souyun趙孟頫 (40303)The biography explicitly gives the early Zhizhi date and age of sixty-nine at death.
  10. [10] Immediate family His father was Zhao Yuyin, his elder brother Zhao Mengpan, and his younger brother is given in two forms, Zhao Mengyu with the characters 籲 and 吁; his wife was Guan Daosheng and his son-in-law Fei Xiong.
    • CBDBZhao Mengfu (17690)The kinship entries list his father, elder brother, two forms of the younger brother's name, wife, and son-in-law.
  11. [11] Children and extended family His agnatic nephews were Zhao Youjun and Zhao Mingzhong, his agnatic grandnephew was Zhao Su, and his second and third sons were Zhao Yong and Zhao Yi, both known for calligraphy and painting.
    • CBDBZhao Mengfu (17690)The kinship entries give the relationships and names of the two agnatic nephews, the second and third sons, and the agnatic grandnephew.
    • Souyun趙孟頫 (40303)The biography states that Yong and Yi were both known for calligraphy and painting.
  12. [12] Associates His friends included Wu Cheng, Zhou Mi, and Yuan Jue.
    • CBDBZhao Mengfu (17690)The association entries classify Wu Cheng, Zhou Mi, and Yuan Jue as friends.
  13. [13] Calligraphy and painting His poetry and prose were regarded as profound and extraordinary; he mastered several script types, developed an individual style, excelled in many painting subjects, and was credited with inaugurating a Yuan painting style.
    • Souyun趙孟頫 (40303)The biographies describe his extraordinary poetry and prose, mastery of seal, clerical, running, and cursive scripts, distinctive calligraphic style, range of painting subjects, divine artistic rank, and role in inaugurating a Yuan painting style.
    • Wikidata趙孟頫 (Q197461)The entity descriptions independently identify him as a noted painter and calligrapher of the late Song and early Yuan and as a Chinese painter.
  14. [14] Literary reputation His writings were sought throughout the realm, contemporary critics compared his poetry and other works with major earlier writers, and Renzong compared him with Li Bai and Su Shi.
    • Souyun趙孟頫 (40303)The biography records the wide demand for his writings, Dai Shuaichu's comparison of his poetry and other works, and Renzong's comparison with Li Bai and Su Shi.
  15. [15] Yuan literary grouping At the height of the Yuan, Zhao Mengfu was grouped with Yu, Yang, Fan, and Jie as a leading literary circle.
    • Souyun趙孟頫 (40303)The biography names Yu, Zhao, Yang, Fan, and Jie together in describing the flourishing Yuan.
  16. [16] Poetic anecdote Yu Boshen brought him a poem, and Zhao Mengfu proposed replacing the words for mountains and fields with sky and stars, after which Yu accepted the advice.
    • Souyun趙孟頫 (40303)The biography preserves the couplet, Zhao Mengfu's proposed substitutions, and Yu Boshen's acceptance of the advice.
  17. [17] Works and ci lyrics His works include Songxue Studio Collection and the variant title Songxue Studio Literary Collection; the collection contained his ci lyrics, including twelve lyrics on the twelve peaks of Mount Wu under the title The Cloud at Mount Wu.
    • CBDBZhao Mengfu (17690)The works field lists Songxue Studio Collection.
    • Souyun趙孟頫 (40303)The biographies give both Songxue Studio Collection and Songxue Studio Literary Collection, state that the ci lyrics are in the collection, and name the twelve lyrics on the twelve peaks of Mount Wu.
  18. [18] Later reception His service as a Song prince who rose to high office under the Yuan caused his cousin Zigu to reject him; after his death the Song recluse Zixu composed an elegy for him.
    • Souyun趙孟頫 (40303)The biography states that he served the Yuan as a Song prince and high official, that his cousin Zigu was ashamed and refused to see him, and that the Song recluse Zixu wrote a lament on his poetry scroll after his death.