Xu Hun

出自全球本体聚合平台

公开 可引用 更新于 2026-09-13

Life

Xu Hun was a native of Danyang in Runzhou (modern Danyang, Jiangsu). Anlu appears as his ancestral home and commandery affiliation; Luoyang is also given as his native place, while another tradition places his origin in Muzhou. His lineage is described either as descending six generations from Xu Yushi, the chancellor of the Wu Zetian era, or, in another genealogy, as making Xu Yushi his grandfather.[3] After reaching adulthood, he moved to Jingkou (modern Zhenjiang, Jiangsu), to Dingmao Ravine, and named his poetry collection after the place; later generations consequently called him Xu Dingmao.[4]

He passed the Presented Scholar examination in the sixth year of the Taihe era (832).[5] During the Kaicheng era he served as magistrate of Dangtu, acting as magistrate of both Dangtu and Taiping, and later assisted a Lingnan staff.[6] In early Dazhong he entered the court as an Investigating Censor; another dating places his appointment in the third year of Dazhong (849). He then returned east because of illness to his villa at Dingmao Bridge, was recalled as Sima of Runzhou, and served as an auxiliary director of the Yu bu in charge of the eastern capital.[7] His appointments also included governor of Fushui in 854 and governor of Muzhou in 855; he ended his official career as governor of Ying and Muzhou, and was said to have governed well wherever he served.[8] He studied assiduously from youth, suffered frequent illness, and loved landscape; in later life he withdrew, because of illness, to his country residence at Dingmao Bridge.[9] His literary exchanges with Du You, Liu Sanfu, Li Yijian, and others included the presentation of poetry and prose.[10]

Poetry

Xu Hun wrote no old-style verse and devoted himself to regulated verse. His best subjects were antiquity and rural life; his parallel couplets were closely wrought, his command of prosody mature, and his tonal music notably harmonious.[11] The couplet “Clouds rise from the stream as the sun sinks behind the tower; rain on the mountain approaches as the wind fills the tower” from “East Tower over Xianyang” has been recited through the ages. His poetry frequently uses water imagery, prompting the saying, “A thousand of Xu Hun’s poems are wet, while Du Fu spends a lifetime in sorrow.”[12]

A story relates that, in his later years, Xu Hun fell asleep by day while visiting Tiantai and dreamed that a beautiful woman asked him for a poem. On waking he wrote the line “In the courtyard only Xu Feiqiong is seen”; after dreaming again that she asked, “Why inscribe my name among humanity?”, he changed it to “The heavenly wind sends down the sound of the steps of emptiness.”[13]

Works and transmission

While living at Dingmao Bridge in the fourth year of Dazhong, Xu Hun compiled the poetry collection *Dingmao ji*, which circulated in two juan. Other associated titles include *Yi*, *Xubu*, *Xuji*, *Xu Yonghui wenji*, and *Jiwai yishi*.[14] Standard editions include the Xu Yonghui collection in the Xugu yishu congshu series and *Dingmao ji* in the Sibu congkan series.[15] Both the forms Yonghui (用晦) and Yonghui (用誨) occur in the titles; annotated editions include Xu Peirong’s *Dingmao ji jianzhu* and Luo Shijin’s *Dingmao ji jianzhen*.[16]

The *Quan Tang shi* includes eleven juan of Xu’s poetry, with many pieces by others mixed in; a considerable number of Xu’s poems also entered collections of Du Mu. The *Quan Tang shi waibian* and *Quan Tang shi xushi* add four poems and two fragments.[17] The *Shiren zhuke tu* places Xu among the four “ascending-hall” poets under Wu Yuanheng.[18]

Later reception

Xu Hun’s later reputation was sharply divided. The Ming critic Hu Yinglin praised his brightness, ornate beauty, depth, and especially his compact workmanship, counting him among the accomplished poets of the late Tang; the Song critic Chen Shidao, by contrast, remarked that “the common people all love Xu Hun.” This divergence was attributed to changes in the prevailing tastes of the poetic world.[19]

TimelineCBDB

  1. 854 州刺史 大中
  2. 855 州刺史 大中
  3. 849 監察御史

Office recordsCBDB

OfficeFromToEraPosting
監察御史849Era unknown
州刺史854大中富水
州刺史855大中睦州
Year unknown8
OfficeEraPosting
司馬Era unknown潤州
州刺史Era unknownUnknown
州刺史Era unknown睦州
州刺史Era unknown郢州
知州Era unknown崇明州
縣令Era unknown當塗
縣令Era unknown太平
虞部員外郎分司東都Era unknownUnknown

FamilyCBDB

RelationNameLife
祖父許圉師–679

AliasesCBDB

  • 丁卯 未詳
  • 仲誨 字
  • 用誨 字

StatusCBDB

  • 書法家
  • 詩人
  • 文人
  • 工於文

AssociationsCBDB

PersonRelationYears
杜佑贈詩、文–
劉三復贈詩、文–
李夷簡贈詩、文–
楊於陵贈詩、文–
楊虞卿贈詩、文–
楊漢公贈詩、文–
白居易贈詩、文–
崔珙贈詩、文–
李白贈詩、文–
崔郾贈詩、文–
崔鄲贈詩、文–
段秀實贈詩、文–
韋澳贈詩、文–
王播贈詩、文–
釋元孚贈詩、文–
朱可久贈詩、文–
楊巨源贈詩、文–
楊嗣復贈詩、文–
鄭薰贈詩、文–
釋契盈贈詩、文–
高元裕贈詩、文–
鮑溶贈詩、文–
房千里贈詩、文–
魏扶贈詩、文–
于興宗贈詩、文–
盧鈞贈詩、文–
韋瓘贈詩、文–
宋申錫贈詩、文–
李遠贈詩、文–
薛平贈詩、文–
崔壽贈詩、文–
高蔓贈詩、文–
郭太后(李恆母)贈詩、文–
許彥昭贈詩、文–
馬鎭西贈詩、文–
許暐贈詩、文–
王可封贈詩、文–
王總贈詩、文–
丁公著贈詩、文–
釋元晝贈詩、文–
張厚贈詩、文–
武全通贈詩、文–
邢羣贈詩、文–
釋重沼贈詩、文–
虞元長贈詩、文–
崔龜從贈詩、文–
崔壽韓贈詩、文–
崔垧贈詩、文–
釋崇隱贈詩、文–
釋德玄贈詩、文–
釋仲儀贈詩、文–
朱餘慶贈詩、文–
釋自省贈詩、文–
侯春時贈詩、文–
魚思別贈詩、文–
釋翛然贈詩、文–
宋邧贈詩、文–
宋次都贈詩、文–
江準贈詩、文–
馮陶贈詩、文–
沈卓贈詩、文–
沈單贈詩、文–
釋冲沼贈詩、文–
釋道玄贈詩、文–
李彥佐贈詩、文–
李文明贈詩、文–
李玄贈詩、文–
李詡贈詩、文–
李羣之贈詩、文–
李師晦贈詩、文–
李定言贈詩、文–
李叢贈詩、文–
李溟贈詩、文–
李瞑贈詩、文–
李當贈詩、文–
韋伯達贈詩、文–
袁都贈詩、文–
釋栖玄贈詩、文–
薛洪贈詩、文–
杜悰贈詩、文–
楊發贈詩、文–
楊攀贈詩、文–
楊嘏贈詩、文–
釋好直贈詩、文–
柳璟贈詩、文–
釋契直贈詩、文–
劉瑑贈詩、文–
劉皋贈詩、文–
釋開元贈詩、文–
段覺贈詩、文–
滕邁贈詩、文–
釋令閑贈詩、文–
釋無夢贈詩、文–
釋無晝贈詩、文–
鄭憲贈詩、文–
釋鄭寂贈詩、文–
釋惟直贈詩、文–
釋惟素贈詩、文–
釋光儀贈詩、文–
李氏(李純女)贈詩、文–

Showing the first 100 of 114 records; the interactive page loads the full list.

ExaminationsCBDB

RecordRank
科舉: 進士(籠統)

WorksCBDB

TitleRoleYearEra
丁卯集
拾遺
續補
續集(許渾)
許用誨文集
集外遺詩

Citations

  1. [1] Dates and identity The sources give 788 or 791 as Xu Hun’s birth year and 858 or 862 as his death year; they identify him as a Tang poet, writer, and calligrapher, with one account calling him a leading poet of the late Tang.
    • Souyun許渾 (19980)The biographical entries give the alternatives 788–858 and 791–858, and describe Xu Hun as a leading poet of the late Tang.
    • CBDBXu Hun (92743)The main record dates his birth to 791 and lists Tang, calligrapher, poet, and writer classifications.
    • DILA Buddhist Authority Database許渾 (A019158)The authority record confirms the name Xu Hun and the Tang dynasty.
    • WikidataXu Hun (Q4382404)The entity record describes Xu Hun as a Tang-dynasty writer and lists 791, 788, and 862 among its date values.
  2. [2] Names and birth order Xu Hun’s courtesy name is given as Yonghui or Zhonghui, with Yonghui and Zhonghui variant forms written with 誨; he was seventh in birth order and became known as Xu Dingmao.
    • Souyun許渾 (19980)The biographies give the names 用晦 and 仲晦, state that he was seventh in birth order, and explain the later name Xu Dingmao.
    • CBDBXu Hun (92743)The main record lists Dingmao, Zhonghui, and Yonghui, marking the latter two as courtesy names.
    • DILA Buddhist Authority Database許渾 (A019158)The authority record gives 用晦 and 仲晦 as aliases.
    • WikidataXu Hun (Q4382404)The entity record includes the variant names 仲誨, 用誨, 用晦, and Dingmao.
  3. [3] Native place and lineage The sources variously give Danyang, Luoyang, or Muzhou as the native place, Anlu as ancestral or commandery affiliation, and Xu Yushi as either a sixth-generation ancestor or grandfather.
    • Souyun許渾 (19980)The biographies identify him with Runzhou Danyang, also give Luoyang, Anlu, and Xu Yushi as a sixth-generation ancestor, and describe Xu Yushi as a chancellor of the Wu Zetian era.
    • CBDBXu Hun (92743)The main record gives Danyang as the basic native place, Anlu as ancestral place, and Xu Yushi as grandfather.
    • DILA Buddhist Authority Database許渾 (A019158)The authority record associates him with Runzhou and gives the Danyang, Muzhou, and Xu Yushi alternatives.
  4. [4] Move to Dingmao After reaching adulthood, Xu Hun moved to Jingkou and named his collection after Dingmao Ravine, which led to the later name Xu Dingmao.
    • Souyun許渾 (19980)The biography says that he moved to Jingkou’s Dingmao Ravine, named his poetry collection after it, and was later called Xu Dingmao.
  5. [5] Examination Xu Hun passed the Presented Scholar examination in 832, the sixth year of the Taihe era.
    • Souyun許渾 (19980)Several biographies date his jinshi success to the sixth year of Taihe, or 832.
    • CBDBXu Hun (92743)The examination entry classifies him as a jinshi.
    • DILA Buddhist Authority Database許渾 (A019158)The authority note also calls him a jinshi of 832.
  6. [6] Early offices In the Kaicheng era Xu Hun served at Dangtu, acted as magistrate of Dangtu and Taiping, and later assisted a Lingnan staff.
    • Souyun許渾 (19980)The biography records the Kaicheng offices at Dangtu, the acting magistracies of Dangtu and Taiping, and later service with a Lingnan staff.
    • CBDBXu Hun (92743)The office entries list the magistracies of Dangtu and Taiping.
  7. [7] Censorate and return east Xu Hun entered the court as an Investigating Censor in early Dazhong, with another dating placing the appointment in 849, then returned to Dingmao Bridge, became Sima of Runzhou, and served in the eastern capital.
    • Souyun許渾 (19980)The biographies place his entry into the censorate in early Dazhong, followed by an illness-related return to Dingmao Bridge, appointment as Sima of Runzhou, and service in the eastern capital.
    • CBDBXu Hun (92743)The office entries list Investigating Censor, Sima of Runzhou, and the Yu bu post in charge of the eastern capital.
    • DILA Buddhist Authority Database許渾 (A019158)The authority note dates his appointment as Investigating Censor to the third year of Dazhong, 849.
  8. [8] Provincial offices and good government The office chronology includes Fushui in 854 and Muzhou in 855; biographies place his final provincial offices at Ying and Muzhou and praise his administration.
    • Souyun許渾 (19980)The biographies list Ying and Muzhou among his final provincial offices.
    • CBDBXu Hun (92743)The office entries give Dazhong years eight and nine for Fushui and Muzhou and also list Ying and Muzhou as provincial offices.
    • DILA Buddhist Authority Database許渾 (A019158)The authority note says that he ended as governor of Ying and Muzhou and that he governed well wherever he served.
  9. [9] Illness and retirement Xu Hun studied hard from youth, was often ill, loved landscape, and later retired because of illness to Dingmao Bridge.
    • Souyun許渾 (19980)The biographies describe his lifelong illness, love of landscape, and later withdrawal to the Dingmao Bridge residence.
  10. [10] Literary exchanges Xu Hun had gift-poetry and prose associations with Du You, Liu Sanfu, and Li Yijian.
    • CBDBXu Hun (92743)The association entries list Du You, Liu Sanfu, and Li Yijian in gift-poetry and prose relationships with Xu Hun.
  11. [11] Regulated verse Xu Hun wrote no old-style verse and specialized in regulated verse, with antiquarian and rural themes, closely wrought couplets, mature prosody, and harmonious tonal music.
    • Souyun許渾 (19980)The literary assessments say that he wrote no old-style verse, specialized in regulated verse, favored antiquarian and rural subjects, and was known for dense couplets, mature prosody, and harmonious sound.
  12. [12] Famous couplet and water imagery The couplet from East Tower over Xianyang was widely recited, and Xu Hun’s frequent use of water imagery prompted a well-known critical saying.
    • Souyun許渾 (19980)The literary entry calls the couplet from East Tower over Xianyang a celebrated couplet recited through the ages.
    • DILA Buddhist Authority Database許渾 (A019158)The authority note says that his poems often write of water and gives the saying about Xu Hun’s wet poems and Du Fu’s sorrow.
  13. [13] Tiantai dream story A transmitted story tells of Xu Hun’s dream of a woman asking for a poem and the subsequent change of the line after a second dream.
    • DILA Buddhist Authority Database許渾 (A019158)The authority note presents the Tiantai dream, the first poem line, the woman’s question, and the revised line as a transmitted story.
  14. [14] Dingmao ji and related titles Xu Hun compiled Dingmao ji at Dingmao Bridge in the fourth year of Dazhong; it circulated in two juan, and several other titles are associated with him.
    • Souyun許渾 (19980)The biographies mention Dingmao ji, its compilation during the fourth year of Dazhong at Dingmao Bridge, and its circulation in two juan.
    • CBDBXu Hun (92743)The text entries list Dingmao ji, Yi, Xubu, Xuji, Xu Yonghui wenji, and Jiwai yishi.
  15. [15] Editions and annotations The standard editions include the Xu Yonghui collection in the Xugu yishu congshu series and Dingmao ji in the Sibu congkan series.
    • Souyun許渾 (19980)The literary entry names the Xugu yishu congshu edition of Xu Yonghui wenji and the Sibu congkan edition of Dingmao ji.
  16. [16] Variant title forms and commentaries The titles use both 用晦 and 用誨, and the recorded annotated editions include works by Xu Peirong and Luo Shijin.
    • Souyun許渾 (19980)The literary entry names Xu Peirong’s Dingmao ji jianzhu and Luo Shijin’s Dingmao ji jianzhen.
    • CBDBXu Hun (92743)The text entries preserve both Dingmao ji and Xu Yonghui wenji, with the 用晦 and 用誨 forms.
  17. [17] Quan Tang shi transmission The Quan Tang shi includes eleven juan of Xu Hun’s poetry, with works by others mixed in and many Xu poems entering Du Mu’s collections; later supplements add four poems and two fragments.
    • Souyun許渾 (19980)The literary entries state that Quan Tang shi has eleven juan with interpolated works, that Xu poems entered Du Mu’s collections, and that the supplementary collections add four poems and two fragments.
  18. [18] Poetic classification The Shiren zhuke tu places Xu Hun among the four ascending-hall poets under Wu Yuanheng.
    • Souyun許渾 (19980)The Shiren zhuke tu lists Xu Hun among the four poets in Wu Yuanheng’s ascending-hall group.
  19. [19] Later reception Later judgments of Xu Hun’s poetry diverged: Hu Yinglin praised its compact workmanship and ranked him among notable late-Tang poets, while Chen Shidao criticized the popular enthusiasm for him; the difference was attributed to changing poetic tastes.
    • Souyun許渾 (19980)The literary assessment records Hu Yinglin’s praise, Chen Shidao’s criticism, and the explanation that the divergence reflected changing poetic fashions.