Yang Juyuan

出自全球本体聚合平台

公开 可引用 更新于 2026-09-13

Life

In the fifth year of the Zhenyuan era (789), he passed the jinshi examination and was appointed a proofreader. He first served on Zhang Hongjing’s Hezhong staff; in 811, the sixth year of Yuanhe, he served as an Investigating Censor and as an aide to the Hezhong military commissioner. After entering the court, he became Mishulang in 814, then Taichang boshi and Yubu yuanwailang, served as Shaoyin of Fengxiang, and was recalled in 821, the first year of Changqing, as Guozijian siye.[3]

In 824, the fourth year of Changqing, he retired as Hezhong Shaoyin and returned home. Accounts of his final years differ: one says that he retired at seventy and was thereafter retained as Hezhong Shaoyin with his emoluments continued; another places him in the Taihe era as a non-officiating Hezhong Shaoyin whose stipend was paid for life; a further account says that he later retired as Guozi jijiu.[4]

Poetry and associations

Yang was accomplished in poetry. He recited morning and evening without pause; in old age he was said to shake his head, which people attributed to his reciting, and some accounts say that he became ill in old age. He first became known for the couplet “Three strokes dream of Yizhou, one arrow takes Liaocheng” in “Presented to the Prefect of Lu Mingzhou.” During Yuanhe and Changqing, his poetry made him known; Han Yu, Zhang Ji, Yuan Zhen, and Bai Juyi valued him, and he exchanged poems with Bai Juyi, Yuan Zhen, Liu Yuxi, and Zhang Ji, while remaining especially close to Linghu Chu and Li Fengji.[5]

Critics described his poetic diction as avoiding novelty, his regulated verse as practical, and his workmanship as deep. Although he initially studied poetry with Yuan Zhen and Bai Juyi, his verse was unlike theirs and was praised instead for being fresh, lucid, and rigorous.[6]

Critics called him gifted and learned, deliberate in his use of tonal patterning, highly wrought in long poems, and limpid in quatrains. They also described his seven-character verse as level, distant, deep, and fine, praised his mastery of regulated verse, and some ranked him as the foremost stylist of the mid-Tang.[7]

One system of poetic classification placed him among the ten “inner-chamber” poets in the “pure, extraordinary, refined, and correct” category headed by Li Yi. Another appraisal grouped him with Li Shangyin, Li Dong, and Lu Guimeng, observing that his shorter regulated poems retained earlier norms; he was also praised for the lingering emotional quality of his poetry.[8]

Works

His collected poems, 《楊巨源詩》, formed a one-volume collection; one volume of poems survives, with three supplementary poems, five fragments, and one title. Three other works are also attributed to him: 《李綦吹笛記》 in one scroll, 《紅線傳》, and 《崑崙奴傳》 in one scroll.[9]

TimelineCBDB

  1. 811 監察御史 元和
  2. 811 節度使從事 元和
  3. 814 秘書郎 元和
  4. 821 國子監司業 長慶
  5. 824 少尹 長慶

Office recordsCBDB

OfficeFromToEraPosting
監察御史811元和
節度使從事811元和河中軍節度
秘書郎814元和
國子監司業821長慶
少尹824長慶河中府
Year unknown3
OfficeEraPosting
太常博士Era unknownUnknown
少尹Era unknown鳳翔府
虞部員外郎Era unknownUnknown

AliasesCBDB

  • 景山 字
  • 楊十二 行第

StatusCBDB

  • 詩人
  • 文人

AssociationsCBDB

PersonRelationYears
元稹友–
權德輿贈詩、文–
段文昌贈詩、文–
武元衡贈詩、文–
張薦贈詩、文–
韋溫贈詩、文–
張弘靖贈詩、文–
白居易贈詩、文–
元稹贈詩、文–
令狐楚贈詩、文–
鄭餘慶贈詩、文–
李益贈詩、文–
釋廣宣贈詩、文–
王建贈詩、文–
盧綸贈詩、文–
劉太真贈詩、文–
許堯佐贈詩、文–
李逢吉贈詩、文–
李虞仲贈詩、文–
張仲素贈詩、文–
苻載贈詩、文–
崔立之贈詩、文–
章孝標贈詩、文–
竇牟贈詩、文–
裴度贈詩、文–
田弘正贈詩、文–
胡証贈詩、文–
薛平贈詩、文–
齊孝若贈詩、文–
王遂贈詩、文–
于季友贈詩、文–
張正元贈詩、文–
裴向贈詩、文–
盧元輔贈詩、文–
盧虔贈詩、文–
盧洪贈詩、文–
盧拱贈詩、文–
崔娘贈詩、文–
崔嘏贈詩、文–
殷侑贈詩、文–
渾鉅贈詩、文–
李文仲贈詩、文–
李傅贈詩、文–
李憑贈詩、文–
李屬贈詩、文–
李光顏贈詩、文–
韓皐贈詩、文–
楊茂卿贈詩、文–
楊松陵贈詩、文–
趙孟贈詩、文–
田徹贈詩、文–
田灣贈詩、文–
田澈贈詩、文–
田布贈詩、文–
呂渭贈詩、文–
尉遲汾贈詩、文–
陳宗儒贈詩、文–
李氏(李純女)贈詩、文–
張籍收到張籍的贈詩、文–
劉禹錫收到劉禹錫的贈詩、文–
馬戴收到馬戴的贈詩、文–
許渾收到許渾的贈詩、文–
姚合收到姚合的贈詩、文–
賈島收到賈島的贈詩、文–

ExaminationsCBDB

RecordRank
科舉: 進士(籠統)

WorksCBDB

TitleRoleYearEra
楊巨源詩
李綦吹笛記 一卷撰著者
紅線傳撰著者
崑崙奴傳一卷撰著者

Citations

  1. [1] Name, dates, and identity The name is Yang Juyuan; 755 and 833 are one set of reported years, while the biographical accounts preserve competing statements about the death year. He is identified as a Tang poet and man of letters.
    • CBDBYang Juyuan (93139)The main biographical record supplies the name, the years 755 and 833, the Tang dynasty designation, and the poet and literary-person classifications.
    • Souyun楊巨源 (17365)The biographical entries confirm the name and birth year, identify him as a mid-Tang poet, and preserve both an unspecified death year and a doubtful 832 dating.
    • WikidataYang Juyuan (Q45511253)The English label and date statements identify Yang Juyuan and give the dates 755 and 833.
  2. [2] Courtesy name and origin His courtesy name was Jingshan, he was the twelfth in birth order and was also called Yang Shier, and his native place was Hezhong, identified with the area west of present-day Yongji in Shanxi.
    • CBDBYang Juyuan (93139)The record identifies Jingshan as his courtesy name, Yang Shier as his birth-order designation, and Hezhong Prefecture as his basic native-place entry.
    • Souyun楊巨源 (17365)The biographical profile gives Jingshan, the twelfth birth-order designation, and Hezhong, specifying the modern location west of Yongji in Shanxi.
    • WikidataYang Juyuan (Q45511253)The name and alias records also preserve Jingshan.
  3. [3] Examination and offices In 789 he passed the jinshi examination and was appointed a proofreader, then served in Zhang Hongjing’s staff and as an Investigating Censor and Hezhong military-commissioner aide. His later offices included Mishulang, Taichang boshi, Yubu yuanwailang, Shaoyin of Fengxiang, and Guozijian siye in 821.
    • Souyun楊巨源 (17365)The biographical accounts set out the jinshi success, the proofreader appointment, Zhang Hongjing’s staff, the 811 appointment, and the sequence of later offices through the 821 appointment.
    • CBDBYang Juyuan (93139)The examination and office data record the jinshi qualification and the offices held in 811, 814, and 821, together with Fengxiang.
  4. [4] Retirement and competing late accounts He returned home as Hezhong Shaoyin in 824. The accounts differ over his later status: continued emoluments after retirement at seventy, a non-officiating Hezhong Shaoyin in the Taihe era with a lifelong stipend, or later retirement as Guozi jijiu.
    • Souyun楊巨源 (17365)The biographical accounts describe the 824 return, retirement at seventy, the two versions of the Hezhong Shaoyin arrangement, lifelong payment, and the later Guozi jijiu retirement.
    • CBDBYang Juyuan (93139)The office record lists Hezhong Shaoyin in the fourth year of Changqing, 824.
  5. [5] Poetry and associations Yang was known as a poet, recited continually, and became known early for a couplet in Presented to the Prefect of Lu Mingzhou. During Yuanhe and Changqing he was valued by Han Yu and other poets and exchanged poems with several of them, while being especially close to Linghu Chu and Li Fengji.
    • Souyun楊巨源 (17365)The biographical and critical passages describe his poetic practice, early fame, importance during Yuanhe and Changqing, and relationships with the named poets.
    • CBDBYang Juyuan (93139)The status and association entries identify him as a poet and record literary exchanges with Bai Juyi, Yuan Zhen, Linghu Chu, Li Fengji, Zhang Ji, and Liu Yuxi.
  6. [6] Poetic style The criticism emphasizes practical regulated verse, deep workmanship, and a style unlike Yuan Zhen and Bai Juyi despite early study with them.
    • Souyun楊巨源 (17365)The critical passages characterize his diction, regulated verse, and workmanship, and say that his poetry did not resemble Yuan Zhen’s and Bai Juyi’s despite studying with them.
  7. [7] Critical assessment Later evaluations praise his learning, tonal craft, long poems, quatrains, seven-character verse, and regulated verse, and some rank him the foremost mid-Tang stylist.
    • Souyun楊巨源 (17365)Several assessments discuss his learning, tonal craft, long poems, quatrains, seven-character verse, regulated verse, and high mid-Tang ranking.
  8. [8] Poetic classifications One classification places him among Li Yi’s ten inner-chamber poets; another compares him with Li Shangyin, Li Dong, and Lu Guimeng and praises his retention of earlier norms, while another praises the emotional quality of his poetry.
    • Souyun楊巨源 (17365)The relevant passages place him in the ten inner-chamber poets under Li Yi, compare him with three other poets, and describe his poetry as emotionally lingering.
  9. [9] Works The surviving poetic collection and the counts of poems, fragments, and titles come from the biographical entries; the other three works are listed as authored by him in the work data.
    • Souyun楊巨源 (17365)The biographical entries give the one-volume collection and the counts of surviving poems, supplements, fragments, and titles.
    • CBDBYang Juyuan (93139)The works data lists Yang Juyuan shi and attributes Li Qi Chuidi ji, Hongxian zhuan, and Kunlun nu zhuan to him, with scroll counts where supplied.