Zhao Fang

出自全球本体聚合平台

公开 可引用 更新于 2026-09-13

Life

Zhao Fang studied under Huang Ze Chuwang of Jiujiang, Xia Pu Dazhi of Yanling, and Huang Jin Jinqing of Yiwu, learning the Images of the Changes and the study of the Spring and Autumn. From Huang Ze he received the essential meaning of the sixty-four hexagrams; he later followed Yu Ji of Linchuan and learned the teachings of Wu Cheng.[4] At the beginning of the Zhizheng era, Yu Ji saw his writings, held them in high esteem, and invited him into his household. Soon afterward, Zhao built the Dongshan Studio, withdrew into seclusion, and devoted himself to reading and writing; scholars respected him.[5]

At the end of the Zhizheng era, he assisted Marshal Wang Tong in raising forces to protect the local community and was appointed a clerk of the Jiangnan Branch Privy Council.[6] After the bingchen year, he built a thatched retreat at Xingxi Gulangshan and carried his books with him while living away from home. He later returned to Dongshan: his 《春秋集傳》, 《春秋屬辭》, and 《春秋左氏傳補注》 had all reached an advanced stage, and he continued his work on the Changes.[7]

During the winter of the second Hongwu year, he was summoned to the capital with Zhao Xun and others to compile the History of Yuan. After the work was completed, he was allowed to return; he died of illness less than a month later, at the age of fifty-one.[8] The following spring, in the second month, he was buried at Dongyan in his native village. His disciple Wang Yin first gathered his poems and prose, and Fan Zhun subsequently continued the compilation.[9]

Learning and thought

Zhao's learning encompassed the classics, with particular depth in the Spring and Autumn.[10] In reading the sages' classics, he made accumulated reflection, personal insight, and apprehension of the sages' minds his starting point; he then worked through the interpretations of earlier scholars to integrate what they had said with what they had left unsaid.[11] He had developed lines of inquiry into the Images of the Changes, the Spring and Autumn's historiographical method, and the major and minor principles and ritual details of the rites.[12]

His prose was often produced in response to requests or formal exchanges; his poems arose from feeling, and even long and short pieces alike were not written carelessly. His writing was plain, solid, and exact rather than ornate.[13]

Works

His classical works include 《周易文詮》 in four juan; 《春秋集傳》 and 《春秋屬辭》, each in fifteen juan; 《春秋師說》 in three juan with a two-juan appendix; 《春秋金鎖匙》 in one juan; 《春秋左氏傳補注》 in ten juan; and 《葬書問對》 in one juan.[14] 《東山存稿》 consists of seven juan with a one-juan appendix and preserves his poems and prose; it is also referred to as 《東山集》.[15]

Family

His grandfather was Zhao Xiangyuan and his father was Zhao Keming; his family relations also included a collateral nephew, Zhao Suo, and a direct descendant, Zhao Guozhen.[16]

Office recordsCBDB

Year unknown1
OfficeEraPosting
行樞密院都事至正江南

FamilyCBDB

RelationNameLife
祖父趙象元–
父趙克明–
從子;姪子趙瑣–
直系後裔趙國禎–

AliasesCBDB

  • 子常 字
  • 東山 室名、別號
  • 東山先生 室名、別號

StatusCBDB

  • 士人
  • 經學家—春秋
  • 思想家

AssociationsCBDB

PersonRelationYears
虞集為虞集之學生–
黃澤為黃澤之學生–
倪尚誼學生為倪尚誼1369–
汪洗學生為汪洗–
金居敬學生為金居敬–
范準學生為范準–
王褘為王褘所著書作序1369–
蘇天爵為蘇天爵所著書作序–
余闕為余闕所著書作序1369–
朱升書序由朱升所作–
黃澤為黃澤學派的成員1369–
虞集為虞集作墓誌銘1369–
黃澤為黃澤作墓誌銘1369–
倪士毅為倪士毅作墓誌銘1369–
李鎮安為李鎮安作墓誌銘–
汪天祐為汪天祐作墓誌銘–
金居敬從遊者為金居敬–
汪同為汪同作傳–
宋文昭為宋文昭作祭文–
朱升祭文由朱升所作–
趙孟頫為趙孟頫之書、畫作跋–
元順帝為元順帝之書、畫作跋–
蘇天爵為蘇天爵作臨別贈言(送別詩、序)–
陳祖仁為陳祖仁作臨別贈言(送別詩、序)1369–
鄭玉為鄭玉作臨別贈言(送別詩、序)1369–
錢選為錢選作臨別贈言(送別詩、序)–
坊蒙為坊蒙作臨別贈言(送別詩、序)–
高明為高明作臨別贈言(送別詩、序)–
偰哲篤為偰哲篤作臨別贈言(送別詩、序)–
張天鳳為張天鳳作臨別贈言(送別詩、序)–
葉保翁為葉保翁作臨別贈言(送別詩、序)–
葛元哲為葛元哲作臨別贈言(送別詩、序)–
操琰為操琰作臨別贈言(送別詩、序)–
劉炳哀辭由劉炳所作1369–
宋濂為宋濂作哀辭–
鄭玉向鄭玉致賀–
汪炎昶為汪炎昶作墓表–
倪士毅為倪士毅作墓表–
唐棣為唐棣作墓表–
程可紹為程可紹作墓表–
詹烜行狀由詹烜所作–
虞集為虞集作行狀–
黃澤為黃澤作行狀–
汪炎昶為汪炎昶作行狀1320–
程願學為程願學作行狀–
王褘畫贊(畫像記)由王褘所作–
蘇天爵為蘇天爵作畫贊(畫像記)–
鄭玉致書鄭玉–
倪士毅答倪士毅書–
蘇天爵贈詩、文–
王褘為王褘之建築物題詠、記、命名–
崔亮為崔亮之建築物題詠、記、命名–
汪同為汪同之建築物題詠、記、命名–
徐舫為徐舫之建築物題詠、記、命名–
虞集建築物得到虞集的題詠、記、命名–
蘇天爵為蘇天爵之詩文作跋–
虞集為虞集之詩文作跋–
曹涇為曹涇之詩文作跋–
周希濂稱道周希濂之政績–

ExaminationsCBDB

RecordRank
徵辟

WorksCBDB

TitleRoleYearEra
春秋金鎖題
東山存稿
周易文詮四卷撰著者
春秋左氏傳補注 十卷撰著者
春秋屬辭 十五卷撰著者
春秋師說 三卷 附錄 二卷撰著者
春秋金鎖匙 一卷撰著者
春秋集傳 十五卷撰著者
葬書問對一卷撰著者

Citations

  1. [1] Identity and dates Zhao Fang lived from 1319 to 1369 and is identified as a classicist and thinker of the late Yuan and early Ming.
    • CBDBZhao Fang (10818)The biographical record supplies the romanized and Chinese names, the birth and death years, and the classifications as a Spring and Autumn classicist and a thinker.
    • Souyun趙汸 (41550)The profile gives the name, dates 1319–1369, and the period designation late Yuan–early Ming.
    • WikidataZhao Fang (Q10542488)The entity identifies him as Zhao Fang and gives time values for 1319 and 1369.
  2. [2] Courtesy name and sobriquets His courtesy name was Zichang, and the sobriquets Dongshan and Dongshan Xiansheng are associated with him.
    • CBDBZhao Fang (10818)The name record identifies Zichang as the courtesy name and Dongshan and Dongshan Xiansheng as alternate names.
    • Souyun趙汸 (41550)The biographical text gives the courtesy name Zichang and says that scholars called him Dongshan Xiansheng.
    • WikidataZhao Fang (Q10542488)The name data provides the English and Chinese forms of Zichang, Dongshan, and Dongshan Xiansheng.
  3. [3] Conflicting native places Xiuning in Huizhou Prefecture and Wuyuan are both given as Zhao Fang's native place.
    • CBDBZhao Fang (10818)The place entry gives Xiuning as his native place.
    • Souyun趙汸 (41550)The profile and biographical text give Huizhou Prefecture's Xiuning, while the Four Treasuries notice gives Wuyuan, preserving the geographical discrepancy.
  4. [4] Teachers and studies Zhao Fang studied with Huang Ze, Xia Pu, and Huang Jin, learned the Images of the Changes and Spring and Autumn studies, received the essential meaning of the sixty-four hexagrams from Huang Ze, and later learned from Yu Ji and Wu Cheng.
    • Souyun趙汸 (41550)The biographical passages name Huang Ze Chuwang, Xia Pu Dazhi, and Huang Jin Jinqing as teachers, and describe his study of the Changes, Spring and Autumn, the sixty-four hexagrams, Yu Ji, and Wu Cheng.
    • CBDBZhao Fang (10818)The relationship entries identify Yu Ji and Huang Ze as teachers in relation to Zhao Fang.
  5. [5] Yu Ji and Dongshan retreat At the beginning of the Zhizheng era, Yu Ji admired Zhao Fang's writings and invited him to his household; Zhao Fang then built the Dongshan Studio, lived in seclusion, and devoted himself to reading and writing.
    • Souyun趙汸 (41550)The biographical text says that Yu Ji saw his writings, admired them, and invited him to his home, and then describes the Dongshan Studio, his seclusion, reading, writing, and scholarly esteem.
    • CBDBZhao Fang (10818)The relationship entry confirms Yu Ji as a teacher associated with Zhao Fang.
  6. [6] Military service and office At the end of the Zhizheng era, Zhao Fang assisted Wang Tong's forces in protecting the local community and received the office of clerk of the Jiangnan Branch Privy Council.
    • Souyun趙汸 (41550)The biographical accounts describe his assistance to Marshal Wang Tong in raising forces to protect the local community and his appointment to the Jiangnan Branch Privy Council office.
    • CBDBZhao Fang (10818)The office entry names the Jiangnan Branch Privy Council clerkship and places it in the Zhizheng period and Jiangnan.
  7. [7] Retreat and unfinished studies After the bingchen year, Zhao Fang withdrew with his books to a thatched retreat at Xingxi Gulangshan, later returned to Dongshan, advanced several Spring and Autumn works, and continued studying the Changes.
    • Souyun趙汸 (41550)The biographical passages describe the thatched retreat at Xingxi Gulangshan, carrying books while away, the return to Dongshan, the progress of the three Spring and Autumn works, and continued attention to the Changes.
    • CBDBZhao Fang (10818)The works list contains the three cited Spring and Autumn titles.
  8. [8] Summons, historiography, and death In the second Hongwu year, Zhao Fang was summoned to the capital to work with Zhao Xun and others on the History of Yuan; after its completion he returned and died of illness less than a month later at fifty-one.
    • Souyun趙汸 (41550)The biographical passages give the winter date in the second Hongwu year, the summons to the capital, the work on the History of Yuan with Zhao Xun and others, the completed work, the return, the illness, and the age of fifty-one.
    • CBDBZhao Fang (10818)The biographical record gives his death year as 1369, corresponding to the second Hongwu year.
  9. [9] Burial and compilation of writings He was buried at Dongyan in the second month of the following spring; his disciple Wang Yin gathered his poems and prose, and Fan Zhun continued the compilation.
    • Souyun趙汸 (41550)The preface records the burial at Dongyan in the following spring's second month and the successive gathering and continuation of his poems and prose by Wang Yin and Fan Zhun.
  10. [10] Classical learning Zhao Fang was conversant with the classics and particularly profound in Spring and Autumn studies.
    • Souyun趙汸 (41550)The Four Treasuries notice says that his learning covered all the classics and was especially deep in the Spring and Autumn.
    • CBDBZhao Fang (10818)The status entry identifies him as a Spring and Autumn classicist.
  11. [11] Method of interpretation His method began with accumulated reflection, personal insight, and apprehending the sages' minds, then used the interpretations of the scholars to integrate what had and had not been said.
    • Souyun趙汸 (41550)The preface explains that he relied on accumulated reflection and self-realization to apprehend the sages' minds, then worked through earlier interpretations to reach what had not been stated.
  12. [12] Fields of study His inquiries extended to the Images of the Changes, Spring and Autumn historiographical method, the major and minor principles of ritual, and ritual details and measures.
    • Souyun趙汸 (41550)The preface lists the Images of the Changes, Spring and Autumn method, the major and minor structures of ritual, and its detailed forms and measures as fields in which he had established an initial framework.
  13. [13] Poetry and prose His prose often arose from requests or formal exchanges, while his poems arose from feeling and were not written carelessly; his writing was plain, solid, and exact rather than ornate.
    • Souyun趙汸 (41550)The relevant passages describe prose prompted by requests or exchanges, poetry shaped by feeling, the care taken with long and short poems, and prose that was solid and exact rather than ornate.
  14. [14] Classical works His listed classical works include Zhouyi Wenzhuan, the Spring and Autumn titles, and Zangshu Wendui, with the stated juan counts and appendix.
    • CBDBZhao Fang (10818)The works list names the seven attributed classical works and gives their respective juan counts and appendix.
    • Souyun趙汸 (41550)The biographical passages identify the Spring and Autumn works and place them among his classical writings.
  15. [15] Dongshan collection Dongshan Cungu consists of seven juan with a one-juan appendix and preserves his poems and prose; it is also called Dongshan Ji.
    • Souyun趙汸 (41550)The relevant passages describe Dongshan Cungu as a seven-juan poetry and prose collection with a one-juan appendix and also give the title Dongshan Ji.
    • CBDBZhao Fang (10818)The works list includes Dongshan Cungu.
  16. [16] Family His grandfather was Zhao Xiangyuan, his father Zhao Keming, and his family relations also included Zhao Suo as a congzi or nephew and Zhao Guozhen as a direct descendant.
    • CBDBZhao Fang (10818)The family relations identify the grandfather Zhao Xiangyuan, father Zhao Keming, Zhao Suo as a congzi or nephew, and Zhao Guozhen as a direct descendant.