Sikong Shu

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公开 可引用 更新于 2026-09-13

Life

Early in life he went to the capital for the examinations but failed; when the An Lushan rebellion began, he took refuge in the south, and later passed the jinshi examination.[3]

At the beginning of the Dali era under Emperor Daizong, he served as registrar of Luoyang and later entered the court as Left Reminder.[4] During the Yongtai-to-early-Dali period, he exchanged poems with Lu Lun, Dugu Ji, and Qian Qi in Chang’an and was counted among the Ten Talents of the Dali era.[5] Toward the end of Dali and during the Jianzhong period under Emperor Dezong, he was demoted from Left Reminder to deputy magistrate of Changlin County.[6]

During the Zhenyuan era he joined Wei Gao’s staff in the Jiannan Xichuan command; the appointment is dated variously to 785 and to around the fourth year of Zhenyuan (788).[7] He served as a staff officer holding the jianxiao title of Shui bu langzhong, and ended his career as Yubu langzhong.[8]

Poetry and reception

Sikong Shu’s poetry consists largely of farewell poems, poems exchanged as gifts, and works of travel and displacement. In plain and direct diction, it conveys the experience of being stranded away from home and the sorrow and frustration of poverty and failure; he was particularly accomplished in regulated verse, especially five-character regulated verse.[9]

Poems such as 《賊平後送人北歸》, 《雲陽館與韓紳卿宿別》, and 《喜外弟盧綸見宿》 use images of white hair in a foreign land, the green hills of the old country, yellow leaves in the rain, and a white-haired figure beneath a lamp to express displacement and grief; the celebrated lines are deep and restrained. His quatrains, including 《江村即事》, 《詠古寺花》, and 《金陵懷古》, were described as either graceful and lightly elegant or substantial and grave.[10]

An appraisal of his poem addressed to the monk Jian emphasizes its East Woods setting, autumn rain, medicinal garden, and idle clouds, praising its secluded tone and fluent movement. Other assessments praise the precision of his poetic conception, the luminosity of his poetic atmosphere, the exactness of his descriptions, and the turns of his feeling.[11]

Earlier critics described his verse as graceful, leisurely, and close to ordinary feeling, with clear atmosphere, finely wrought thought, and a strong emotional basis; one assessment placed him below Lu Lun and Li Yi among the Ten Talents of the Dali era.[12] Another placed him among the small number of Tang poets accomplished in seven-character regulated verse, while warning that some of his seven-character verse anticipates the late-Tang tendency toward strangeness; his five-character poems were also praised for their ancient emotional force and lucid, elegant language.[13]

Works

His two-volume collection is titled 《司空曙詩集》 and is also known as 《司空文明集》; the Complete Tang Poems and the fourth section of the New Book of Tang’s treatise on literature both include a two-volume poetic collection.[14]

TimelineCBDB

  1. 779 縣丞 大曆
  2. 785 水部郎中 貞元
  3. 785 節度使從事 貞元

Office recordsCBDB

OfficeFromToEraPosting
縣丞779大曆長林
水部郎中785貞元
節度使從事785貞元劍南西川軍節度
Year unknown2
OfficeEraPosting
拾遺Era unknownUnknown
虞部郎中Era unknownUnknown

AliasesCBDB

  • 司空十四 行第
  • 文初 字
  • 文明 字

StatusCBDB

  • 詩人
  • 文人

AssociationsCBDB

PersonRelationYears
常袞贈詩、文–
李豫(唐代宗)贈詩、文–
馬燧贈詩、文–
王維贈詩、文–
釋大易贈詩、文–
李嘉祐贈詩、文–
張芬贈詩、文–
鄭槪贈詩、文–
暢當贈詩、文–
錢起贈詩、文–
徐浩贈詩、文–
裴說贈詩、文–
李光弼贈詩、文–
張調贈詩、文–
韋皋贈詩、文–
崔峒贈詩、文–
吉中孚贈詩、文–
夏侯審贈詩、文–
郎士元贈詩、文–
班震贈詩、文–
高勝贈詩、文–
李氏(李隆基女)贈詩、文–
郭婉儀贈詩、文–
王注贈詩、文–
王閏贈詩、文–
張讚贈詩、文–
張伯儀贈詩、文–
張涉贈詩、文–
張弋贈詩、文–
尹植贈詩、文–
盧文若贈詩、文–
盧堪贈詩、文–
盧秦卿贈詩、文–
魏季羔贈詩、文–
魏羔贈詩、文–
鮮于秋贈詩、文–
鮮于映贈詩、文–
李勉贈詩、文–
李皋贈詩、文–
李紓贈詩、文–
韓昇卿贈詩、文–
韓紳卿贈詩、文–
薛邕贈詩、文–
麴象贈詩、文–
柳震贈詩、文–
史澤贈詩、文–
史申贈詩、文–
曹桐椅贈詩、文–
曹同猗贈詩、文–
閻宷贈詩、文–
釋無言贈詩、文–
鄭佶贈詩、文–
鄭況贈詩、文–
鄭洞贈詩、文–
鄭錫贈詩、文–
喬廣贈詩、文–
盧徹贈詩、文–
曹原椅贈詩、文–
衛象贈詩、文–
韋應物收到韋應物的贈詩、文–
李益收到李益的贈詩、文–
釋大易收到釋大易的贈詩、文–
盧綸收到盧綸的贈詩、文–
孫昌裔收到孫昌裔的贈詩、文–
李端收到李端的贈詩、文–
張南史收到張南史的贈詩、文–
苗發收到苗發的贈詩、文–
耿湋收到耿湋的贈詩、文–
戴叔倫收到戴叔倫的贈詩、文–
辛晃收到辛晃的贈詩、文–
王早收到王早的贈詩、文–

ExaminationsCBDB

RecordRank
科舉: 進士(籠統)

WorksCBDB

TitleRoleYearEra
司空曙詩集

Citations

  1. [1] Life dates and identity Sikong Shu is dated approximately to 720–790 and is identified as a Tang poet and officeholder.
    • CBDBSikong Shu (92446)The biographical data gives his name and Tang affiliation, classifies him as a poet and literatus, and lists an official appointment.
    • Souyun司空曙 (13632)The biographical entries give the approximate dates 720–790 and describe him as a poet who held office in the Tang period.
    • WikidataSikong Shu (Q5953810)The identity record supplies the English name, identifies him as a Tang-dynasty politician, and gives date values corresponding to 720 and 790.
  2. [2] Style names and native place Sikong Shu used the style names Wenming and Wenchu and the ordinal name Sikong Shisi; his native place is Guangping, with differing modern identifications and an alternative Jingzhao tradition.
    • CBDBSikong Shu (92446)The basic record lists Sikong Shisi, Wenchu, and Wenming, and gives Guangping as the native place.
    • Souyun司空曙 (13632)The biographical entries give Wenming, Wenchu, and Guangping, while differing over the modern location of Guangping and also preserving the Jingzhao alternative.
    • WikidataSikong Shu (Q5953810)The name record lists Sikong Shisi, Wenchu, and Wenming in both transliterated and Chinese forms.
  3. [3] Early examinations and jinshi He failed an early examination in the capital, took refuge in the south during the An Lushan rebellion, and later passed the jinshi examination.
    • Souyun司空曙 (13632)The biographical entries describe his unsuccessful early examination attempt, his flight south during the rebellion, and his later success in the jinshi examination.
    • CBDBSikong Shu (92446)The examination entry records a jinshi qualification.
  4. [4] Luoyang and Left Reminder At the beginning of the Dali era he served as registrar of Luoyang and then entered court service as Left Reminder.
    • Souyun司空曙 (13632)The biographical entries place his Luoyang service at the beginning of Dali and then describe his entry into court service as Left Reminder.
    • CBDBSikong Shu (92446)The office record lists the post of Left Reminder, transliterated as shi yi.
  5. [5] Chang’an exchanges and the Ten Talents During the Yongtai-to-early-Dali period he exchanged poems in Chang’an with Lu Lun, Dugu Ji, and Qian Qi and was counted among the Ten Talents of the Dali era.
    • Souyun司空曙 (13632)The biographical entries describe his poetic exchanges in Chang’an with Lu Lun, Dugu Ji, and Qian Qi and identify him with the Ten Talents of the Dali era.
  6. [6] Demotion to Changlin Toward the end of Dali and during Jianzhong he was demoted from Left Reminder to deputy magistrate of Changlin County.
    • CBDBSikong Shu (92446)The office data lists Left Reminder and Changlin county deputy, with the latter beginning in 779 under Dali.
    • Souyun司空曙 (13632)The biographical entries place the demotion at the end of Dali or during Jianzhong and identify the destination as Changlin County.
  7. [7] Jiannan Xichuan appointment dates During the Zhenyuan era he entered Wei Gao’s Jiannan Xichuan staff, with the appointment dated variously to 785 and to around 788.
    • CBDBSikong Shu (92446)The office data places his staff and Shui bu langzhong appointments under the Jiannan Xichuan command and gives 785 as the starting year in Zhenyuan.
    • Souyun司空曙 (13632)The biographical entries place him in Wei Gao’s Jiannan Xichuan staff in early Zhenyuan, with one account dating it to around the fourth year, 788.
  8. [8] Staff title and final office He served as a staff officer with the jianxiao title of Shui bu langzhong and ended his career as Yubu langzhong.
    • CBDBSikong Shu (92446)The office data lists the staff post, Shui bu langzhong, and Yubu langzhong.
    • Souyun司空曙 (13632)The biographical entries describe his jianxiao Shui bu langzhong title in Wei Gao’s staff and give Yubu langzhong as his final office.
  9. [9] Poetic subjects and forms His poetry centers on farewells, exchanged poems, and travel or displacement, using plain direct diction; he was especially accomplished in regulated verse and five-character regulated verse.
    • CBDBSikong Shu (92446)The status data identifies him as a poet and literatus.
    • Souyun司空曙 (13632)The poetry account describes the farewell, gift, and wandering subjects, the plain and candid diction, and his mastery of regulated verse, especially the five-character form.
  10. [10] Representative poems and imagery Several farewell and lodging poems use images of displacement and autumn scenes, while the named quatrains received contrasting stylistic praise.
    • Souyun司空曙 (13632)The poetry account names the three poems and their celebrated lines, explains their emotional and linguistic qualities, and lists three quatrains with contrasting stylistic assessments.
  11. [11] The poem to Jian and poetic conception An appraisal of the poem addressed to the monk Jian highlights its setting and secluded, fluent manner, while other assessments praise Sikong Shu’s refined conception, luminous poetic atmosphere, precise description, and emotional turns.
    • Souyun司空曙 (13632)The critical passages discuss the poem to Jian, its secluded and fluent tone, and the poet’s refined conception, clear atmosphere, precise scenery, and emotional resonance.
  12. [12] General critical assessment Critical assessments describe his verse as graceful and close to ordinary feeling, praise its clear atmosphere and finely wrought thought, emphasize emotion, and place him below Lu Lun and Li Yi among the Ten Talents.
    • Souyun司空曙 (13632)Several critical passages describe his verse as graceful and close to feeling, praise its clear atmosphere and finely wrought thought, emphasize emotion, and rank him below Lu Lun and Li Yi among the Dali Ten Talents.
  13. [13] Seven-character regulated verse One critical tradition includes him among the few Tang poets accomplished in seven-character regulated verse, warns of a late-Tang tendency toward strangeness in some examples, and praises the ancient feeling and lucid language of his five-character poems.
    • Souyun司空曙 (13632)The critical passages list him among the few accomplished Tang writers of seven-character regulated verse, identify a late-Tang turn toward eccentricity, and praise the ancient feeling and lucid language of his five-character poems.
  14. [14] Poetry collection Sikong Shu’s collection comprises two volumes, is also called the Collection of Sikong Wenming, and is catalogued in two volumes in the cited Tang poetry and literary bibliographies.
    • CBDBSikong Shu (92446)The works data lists the collection titled 司空曙詩集.
    • Souyun司空曙 (13632)The bibliographical account gives the two-volume collection, its alternate title 司空文明集, and the two-volume listings in the Complete Tang Poems and the New Book of Tang’s literary bibliography.